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Shodashakshari Mantra

षोडशाक्षरी मन्त्र
Also known as: Sixteen-syllable, Sri Vidya Shodashi, Lalita Mantra
§ 01
Origin & Tradition

About this mantra

The Shodashakshari Mantra, also known as the sixteen-syllable mantra, is the supreme mantra of the Sri Vidya tradition, dedicated to the goddess Lalita Tripura Sundari. This mantra is considered the condensed essence of the entire Sri Vidya upasana, embodying the sixteen vowels (kāma-kalā) and the sixteen Nityā deities. According to the Tripura Upanishad (verse 16), the sixteen syllables correspond to the sixteen phases of the moon and the sixteen perfections (kalā) of the goddess. The mantra is structured as a beejākshara sequence: 'Ka E I La Hrīṃ Ha Sa Ka Ha La Hrīṃ Sa Ka La Hrīṃ', each syllable representing a specific aspect of the deity. The phoneme 'Hrīṃ' is the mūla-bīja of Mahāmāyā, appearing three times to signify creation, preservation, and dissolution.

The mantra is chanted for the highest spiritual realization, the grace of the supreme goddess, and the attainment of liberation (moksha). The Lalita Sahasranama (verse 142) states that this mantra is the very form of the goddess, and its repetition destroys all sins and grants all desires. Traditionally, the mantra is chanted after initiation from a qualified guru, as it is a tantric mantra with specific ritual requirements. The recommended chanting count is 108 times daily, preferably during brahma muhurta or at night, facing east or north. The practitioner should sit on a deer or kusha grass seat, wearing red or white garments.

Cautions include strict adherence to purity rules (such as avoiding non-vegetarian food and intoxicants) and never chanting the mantra without proper initiation, as it may lead to adverse effects. The Mantra Mahodadhi (Chapter 7) elaborates on the nyāsa and homa procedures for this mantra, emphasizing its power to grant siddhis and ultimate union with the goddess. The Shodashakshari is the heart of the Sri Chakra worship, and its syllables are inscribed on the petals of the Sri Chakra, as described in the Shaktisangama Tantra. This mantra is primarily worshiped in South India among Sri Vidya practitioners, but its renown extends pan-India. It is especially chanted during Navaratri and on full moon days.

The sixteen syllables are also linked to the sixteen vowels of the Sanskrit alphabet, symbolizing the completeness of the goddess's creative power. In summary, the Shodashakshari Mantra is the pinnacle of Sri Vidya sadhana, offering both worldly prosperity and spiritual liberation when practiced with devotion and proper guidance.

§ 02
The Sacred Sound

Mantra in Sanskrit

ॐ क ए ई ल ह्रीं ह स क ह ल ह्रीं स क ल ह्रीं
Oṁ ka e ī la hrīṃ ha sa ka ha la hrīṃ sa ka la hrīṃ
§ 03
Meaning & Word Analysis

What the words convey

Salutations to the supreme goddess Lalita Tripura Sundari, the embodiment of the sixteen perfections.

Oṁ
Primordial cosmic sound, the essence of all mantras.
ka
First syllable, representing the goddess's creative power.
e
Second syllable, representing the goddess's sustaining power.
ī
Third syllable, representing the goddess's destructive power.
la
Fourth syllable, representing the goddess's veiling power.
hrīṃ
Seed syllable of Mahāmāyā, the great illusion.
ha sa ka ha la hrīṃ
Second line of six syllables, representing the goddess's five actions and the seed syllable.
sa ka la hrīṃ
Third line of four syllables, representing the goddess's three powers and the seed syllable.
§ 04
Beej Aksharas

Seed-syllable analysis

The mantra contains the seed syllable 'hrīṃ' three times, which is the mūla-bīja of Mahāmāyā, representing the threefold cosmic functions of creation, preservation, and dissolution. The syllables 'ka', 'e', 'ī', 'la', 'ha', 'sa' are also considered beejāksharas, each corresponding to a specific aspect of the goddess.

§ 05
Benefits & Purpose

Why this mantra is chanted

Spiritual
Bestows liberation (moksha) and union with the supreme goddess.
Material
Grants all desires and worldly prosperity.
Karmic
Destroys all sins and purifies the practitioner.
Mental
Calms the mind and removes obstacles in sadhana.
§ 06
How to Chant

Method & traditional guidance

Count
108 daily
Best time
Brahma muhūrta (pre-dawn) or at night
Facing
East or North
Posture
Sitting on a deer or kusha grass seat, wearing red or white garments
Duration
Continuous practice until desired results
Notes
Must be chanted after initiation from a qualified guru. Strict purity rules: avoid non-vegetarian food and intoxicants. Never chant without proper initiation.
§ 07
Sources

Where this mantra appears

Tripura Upanishad
Verse 16 describes the sixteen syllables corresponding to the phases of the moon.
c. 9th-10th C
Lalita Sahasranama
Verse 142 states the mantra is the very form of the goddess.
c. 9th-10th C
Mantra Mahodadhi
Chapter 7 elaborates on nyāsa and homa procedures.
c. 16th C
Shaktisangama Tantra
Describes the syllables inscribed on the petals of the Sri Chakra.
c. 14th-15th C
§ 08
Associated Deity

Mantra-devatā

§ 09
Related Mantras

Continue your practice

Fifteen-syllable mantra of Sri Vidya, a shorter form of the
Panchadashi Mantra
Thousand names of Lalita, chanted for devotion and grace.
Lalita Sahasranama
Another name for the Shodashakshari, emphasizing the sixteen
Shodashi Mantra